Set
65 minutes. We can cut it to 45 or 30 if that suits the night better.
On stage
| Name | Role | Needs |
|---|---|---|
| Diogenis | Rap vocals | Wireless vocal mic, we bring it |
| Isaak | Lead vocals, guitar | Wireless vocal mic, we bring it. Guitar goes DI to FOH, no amp |
| Dimitris | Guitar, backing vocals | Wireless vocal mic, we bring it. Guitar goes DI to FOH, no amp |
| Nikos | Drums | See the kit below |
What we need from the venue
Drums
- Kick drum
- Rack tom
- Floor tom
- Three straight cymbal stands
- Hi-hat stand
- Drum throne
- Useful as backup: a snare stand and a kick pedal
Amps
None. Both guitars run amp simulators straight to FOH by DI, and there is no bass player on stage: the bass is in our backing-track feed.
Microphones and stands
- Three drum mics minimum (kick, snare, overhead), or a full kit mic set
- No vocal mics needed, all three are ours
- Three mic stands, two guitar stands, and three drum mic stands minimum
What we bring
- Behringer X32 Rack for in-ear monitoring
- Three wireless mics, one for each vocal
- Two guitars
- Three cymbals, a snare with stand, a kick pedal
- Our own cabling, mostly for the in-ear setup
In-ear monitoring
This is the one part worth reading before the show. We run a closed in-ear system on our own Behringer X32 Rack, so every input has to be split and sent to our console as well as to FOH.
- We carry our own splitter, a Behringer Ultralink MS8000, but most engineers prefer to split it themselves. Either is fine, we just need to know in advance.
- If your FOH desk supports AES50 we can take the split digitally instead.
- We do not need any wedges. Everyone is on in-ears.
Signals to FOH
| Count | Source |
|---|---|
| 3-5x XLR | Drums |
| 3x XLR | Vocals |
| 3x XLR | Guitars: main guitar in stereo, rhythm guitar mono |
| 2x XLR | Stereo mix for backing tracks, bass and pads. Two RCA also works |